Architecture, Design & Decorative Arts

To see some of our specialist collections, please click the links below.
 Paulus Decker                            Jules Chéret                           William Henry Pyne                     
 
This page represents only a small part of our collection of original Antique prints of Architecture and Design. Please click on an image to see it in high-resolution, with details of the work itself. For enquiries and purchases, please do contact us.
Chelsea Arts Club Bal des Quat’z’Arts at the Royal Albert Hall. By the Australian WWI artist Fred Leist.
Diane D’Ephese: Statue of the goddess Diana, 1st century Roman copy of the lost Diana by Leochares.
Carlton House Dining room with Ionic columns looking towards the west end conservatory.
Plan and Elevation of an entrance in the Doric Order
Composite Order: Anterior views of portico and pedestal, lateral view of a portico and detail of an impost and architrave.
Corinthian Order: Anterior view of portico and pedestal, lateral view of a portico and detail of an impost and architrave.
Ionic Order: Anterior view of a portico with pedestals, and details of an impost and Palladian impost.
Baroque Ceiling Decoration: Fresco of Zeus, Ares, Athena, Hephaestus and Hades with father Time at Olympus with Apollo, Artemis, Hera and Poseidon at the corners.
Chap Book Thanksgiving Number: Cover for the short lived American Literary magazine.
Elevation after Inigo Jones.
Architectural Elevation: Design by the great seventeenth-century architect Inigo Jones.
Baroque Wall Design: A side of a parade chamber.
Design for a Chimney piece: Fishing scene on mantle. No. CLXXXIII:
Ionic, Corinthian and Composite Orders. Diagram of columns’ base, shaft and capital.
Baroque Ceiling Decoration: Fresco of Apollo at Olympus with figures for the constellations of Ursa Major, Leo, Scorpio and Taurus for a King’s audience chamber.
Duncomb Park, Yorkshire: The Seat of Thomas Duncomb, Esq., designed by William Wakefield in 1713.
Baroque Ceiling Decoration: Fresco of the gods Athena (Minerva), Apollo, Artemis (Diana) and Hermes (Mercury) at Olympus for a bedroom.
Russian Imperial Collection: Boule inlay Side Chair with blue damask seat.
St James’s Palace Guard Chamber.
Russian Imperial Collection: Six coordinating painted interior patterns.
Hampton Court Cartoon Gallery.
Russian Imperial Collection: Painted interior capital with three details.
Orders: Diagrams of capitals, shafts and bases of the Tuscan, Doric, Ionic, Composite and Corinthian orders with key and ornamental details.
Seaton Delaval, Northumberland: Plan and elevation of one the North’s great Halls designed by Sir John Vanbrugh.
Bronze Caryatid Ormolu and Marble Candelabra.
Ormolu mounted Red Marble Mantle Clock with Bronze classical figures.
Baroque Ceiling Decoration: With text relating to materials to be used.
Bed: Design for a State Bed: No.XLVII:
Elevation and plans of the ground and principal stories.
Russian Imperial Collection: Five coordinating painted interior patterns.
Plan and Elevation in the Corinthian Order
St. Paul’s Cathedral, Prospect of the East End.
Baroque Ewer: With a putti and winged female figure handle.
The Lower Vestible. The original Henry Holland design has been recently altered, and the original wall replaced with scagliola corinthian columns.
Glasgow Institute of the Fine Arts: Designed by Herbert McNair, Margaret and Francis MacDonald, who with Charles Rennie MacIntosh were known as ‘The Four’ of Scottish Art Nouveau.
Architectural Elevation: Corps de Logis with Carytides and Atlantes by Inigo Jones.
Wansted House, Essex: Profiles of interior and exterior sections.
Plan and Elevation of an entrance in the Ionic Order.
Corinthian Order: Chapel exterior.
Baroque Wall Design: An antechamber to an audience room.
Baroque Wall Design: Grand salon fenestration looking onto a garden.
Russian Imperial Collection: Four coordinating painted interior patterns.
Whitehall Palace: Horse and Foot Guards East Facade. Destroyed in the fire of 1698 and replaced by Royal Horseguards.
Russian Imperial Collection: Iron, Brass and Painted Campaign Table. Front and side perspectives.
Baroque Wall Design: Parade Hall with pastoral frescos.
Baroque Wall Design: Third side of the Parade room with pastoral frescos and ornate mirror.
Architectural Elevation: Facade and plan. XXXV
Tuscan Order. Anterior view of a portico without pedestals.
Baroque Ceiling Decoration: Elaborate fresco with columns advancing to the goddess Hera (Juno) in Olympus.
Red Marble and Ormolu Urn.
Fountain of Don John of Austria, Victor of the Battle of Lepanto: Garden of Aranjuez.
Baroque Wall Design: Long side of a main walk in a central hall.
Architectural Elevation: Facade and plan. XXXVI.
Comparative view of buildings by height including the Pyramid of Cheops, St Peters, St Pauls with key. Framed.
Baroque Ceiling Decoration: Illustrating the life of Aeneas, prince of Troy, protagonist of Virgil’s Aeneid.
Doric Order: Anterior and lateral views of portico and pedestals.