Architecture, Design & Decorative Arts

To see some of our specialist collections, please click the links below.
 Paulus Decker                            Jules Chéret                           William Henry Pyne                     
 
This page represents only a small part of our collection of original Antique prints of Architecture and Design. Please click on an image to see it in high-resolution, with details of the work itself. For enquiries and purchases, please do contact us.
Russian Imperial Collection: Six coordinating painted interior patterns.
Chelsea Arts Club Bal des Quat’z’Arts at the Royal Albert Hall. By the Australian WWI artist Fred Leist.
Fountain of Don John of Austria, Victor of the Battle of Lepanto: Garden of Aranjuez.
Baroque Ceiling Decoration: Fresco of the gods Athena (Minerva), Apollo, Artemis (Diana) and Hermes (Mercury) at Olympus for a bedroom.
Chap Book Thanksgiving Number: Cover for the short lived American Literary magazine.
Baroque Ewer: With a putti and winged female figure handle.
Bed: Design for a State Bed: No.XLVII:
Bronze Caryatid Ormolu and Marble Candelabra.
SOLD. Communications: Conqueror of Space and Time. World’s Fair with man symbolised by a transparent head. After the industrial designer Donald Deskey.
Plan and Elevation in the Corinthian Order
Whitehall Palace: Horse and Foot Guards East Facade. Destroyed in the fire of 1698 and replaced by Royal Horseguards.
Seaton Delaval, Northumberland: Plan and elevation of one the North’s great Halls, designed by Sir John Vanbrugh.
Diane D’Ephese: Statue of the goddess Diana, 1st century Roman copy of the lost Diana by Leochares.
Russian Imperial Collection: Five coordinating painted interior patterns.
Elevation and plans of the ground and principal stories.
Ormolu mounted Red Marble Mantle Clock with Bronze classical figures.
Design for a Chimney piece: Fishing scene on mantle. No. CLXXXIII:
The Lower Vestible. The original Henry Holland design has been recently altered, the original wall replaced with scagliola corinthian columns.
Architectural Elevation: Facade and plan. XXXV
Plan and Elevation of an entrance in the Ionic Order.
Red Marble and Ormolu Urn.
Baroque Wall Design: An antechamber to an audience room.
The Blue Velvet Closet recently renovated and hung with paintings from George IV’s collection. At centre one of a pair of Boulle marquetry tables by Thomas Parker.
Glasgow Institute of the Fine Arts: Designed by Herbert McNair, Margaret and Francis MacDonald, who with Charles Rennie MacIntosh were known as ‘The Four’ of Scottish Art Nouveau.
Russian Imperial Collection: Painted interior capital with three details.
Composite Order: Anterior views of portico and pedestal, lateral view of a portico and detail of an impost and architrave.
Russian Imperial Collection: Boule inlay Side Chair with blue damask seat.
Architectural Elevation: Facade and plan. XXXVI.
Orders: Diagrams of capitals, shafts and bases of the Tuscan, Doric, Ionic, Composite and Corinthian orders with key and ornamental details.
St. Paul’s Cathedral, Prospect of the East End.
Russian Imperial Collection: Four coordinating painted interior patterns.
Plan and Elevation of an entrance in the Doric Order
Russian Imperial Collection: Iron, Brass and Painted Campaign Table. Front and side perspectives.
Baroque Ceiling Decoration: Elaborate fresco with columns advancing to the goddess Hera (Juno) in Olympus.