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This page represents most of our collection of original Antique prints of Burma. Please click on an image to see it in high-resolution, with details of the work itself. For enquiries and purchases, please do contact us.
![Yule: Ayearwady River Valley. 1858. An original tinted antique lithograph. 8" x 5". [SEASp1694] View of the Myitinge river from Myaliet (Pyagoon) Mountain.](https://i0.wp.com/prints.themaphouse.com/wp-content/uploads/2019/10/seasp1694w.jpg?w=622&h=464&ssl=1)
View of the Myitinge river from Myaliet (Pyagoon) Mountain.
![Lt. Col. Symes: Bago. 1800. A hand coloured original antique copper engraving. 8" x 6". [SEASp1562] Bago. View of the temple Shwemawdaw (Golden Shrine) said to contain two hairs of Guatma Buddha.](https://i0.wp.com/prints.themaphouse.com/wp-content/uploads/2019/10/seasp1562w.jpg?w=290&h=241&ssl=1)
Bago. View of the temple Shwemawdaw (Golden Shrine) said to contain two hairs of Guatma Buddha.
![Lt. Moore: Dalla. 1825. An original colour antique aquatint. 15″ x 12″. [SEASp1452] Dalla on the Rangoon (Yangon River). Burning plain of Dalla with the British Fleet in the harbour including HMS Diana, the first steam-powered warship of the East India Company newly armed with Congreve rockets](https://i0.wp.com/prints.themaphouse.com/wp-content/uploads/2019/10/seasp1452w.jpg?w=290&h=219&ssl=1)
Dalla on the Rangoon (Yangon River). Burning plain of Dalla with the British Fleet in the harbour including HMS Diana, the first steam-powered warship of the East India Company newly armed with Congreve rockets
![Lt. Moore: Landing of Combined Forces, Yangon. 1825. An original colour antique aquatint. 15″ x 12″. [SEASp1454] Rangoon (Yangon). Landing of the combined forces of British Infantry, Bombay Marine and the East India Company’s private armies from Bengal and Madras. First Anglo-Burmese War.](https://i0.wp.com/prints.themaphouse.com/wp-content/uploads/2019/10/seasp1454w.jpg?w=312&h=231&ssl=1)
Rangoon (Yangon). Landing of the combined forces of British Infantry, Bombay Marine and the East India Company’s private armies from Bengal and Madras. First Anglo-Burmese War.
![Yule: Amarapura. 1858. An original colour antique lithograph. 8" x 5". [SEASp1701] Amrapura. Dragon Temple with cavalry and infantry.](https://i0.wp.com/prints.themaphouse.com/wp-content/uploads/2019/01/seasp1701w.jpg?w=312&h=234&ssl=1)
Amrapura. Dragon Temple with cavalry and infantry.
![Crawfurd: Bagan (Pagan). 1830. A hand coloured original antique steel engraving. 13" x 8". [SEASp1725] Pagan. View of Shewgugyi temple.](https://i0.wp.com/prints.themaphouse.com/wp-content/uploads/2019/10/seasp1725w.jpg?w=600&h=469&ssl=1)
Pagan. View of Shewgugyi temple.
![O'Connor: Bagan (Pagan). 1907. An original antique photolithograph. 6" x 5". [SEASp1585] O'Connor: Bagan (Pagan). 1907. An original antique photolithograph. 6" x 5". [SEASp1585]](https://i0.wp.com/prints.themaphouse.com/wp-content/uploads/2017/07/seasp1585w.jpg?w=520&h=330&ssl=1)
![Lt. Col. Symes: Shoepaundogee, Royal Barge. 1800. A hand coloured original antique copper engraving. 8″ x 6″. [SEASp1558] Royal Golden Barge or Shoepaundogee. Drawn by Singey Bey, the Bengali artist who accompanied Symes.](https://i0.wp.com/prints.themaphouse.com/wp-content/uploads/2017/07/seasp1558w.jpg?w=392&h=330&ssl=1)
Royal Golden Barge or Shoepaundogee. Drawn by Singey Bey, the Bengali artist who accompanied Symes.
![Lt. Col. Symes: Portraits. 1800. A hand coloured original antique copper engraving. 8" x 6". [SEASp1556] Member of the chief council and his wife in ceremonial dress.](https://i0.wp.com/prints.themaphouse.com/wp-content/uploads/2017/07/seasp1556w.jpg?w=241&h=202&ssl=1)
Member of the chief council and his wife in ceremonial dress.
![Illustrated London News: Mandalay. 1886. A hand coloured original antique wood engraving. 7" x 5". [SEASp1607] Mandalay from the palace watchtower looking West.](https://i0.wp.com/prints.themaphouse.com/wp-content/uploads/2021/06/SEASp1607w.jpg?w=241&h=187&ssl=1)
Mandalay from the palace watchtower looking West.
![O'Connor: Sagaing. 1907. An original antique photolithograph. 6" x 5". [SEASp1587] O'Connor: Sagaing. 1907. An original antique photolithograph. 6" x 5". [SEASp1587]](https://i0.wp.com/prints.themaphouse.com/wp-content/uploads/2017/07/seasp1587w1.jpg?w=241&h=161&ssl=1)
![O'Connor: Nyaung-U. 1907. An original antique photolithograph. 5" x 6". [SEASp1588] Nyaung-U. View of Shwe-zayan (Shwezigon) Paya.](https://i0.wp.com/prints.themaphouse.com/wp-content/uploads/2018/08/seasp1588w.jpg?w=401&h=558&ssl=1)
Nyaung-U. View of Shwe-zayan (Shwezigon) Paya.
![O'Connor: Ava. 1907. An original antique photolithograph. 6" x 5". [SEASp1586] O'Connor: Ava. 1907. An original antique photolithograph. 6" x 5". [SEASp1586]](https://i0.wp.com/prints.themaphouse.com/wp-content/uploads/2017/07/seasp1586w1.jpg?w=266&h=174&ssl=1)
![Lt. Moore: Shwedagon Paya, Yangon. 1825. An original colour antique aquatint. 15″ x 12″. [SEASp1444] Rangoon (Yangon). Shwedagon Pagoda, eastern face of the Gold Temple of Guadma.](https://i0.wp.com/prints.themaphouse.com/wp-content/uploads/2019/10/seasp1444w.jpg?w=266&h=197&ssl=1)
Rangoon (Yangon). Shwedagon Pagoda, eastern face of the Gold Temple of Guadma.
![Wilkes: Pegu (Bago). 1823. An original hand coloured antique copper engraving. 8" x 4". [SEASp1815] Pegu (Bago): Mahazedi Pagoda. Temple of the golden tooth of Buddha.](https://i0.wp.com/prints.themaphouse.com/wp-content/uploads/2022/07/SEASp1815w.jpg?w=266&h=179&ssl=1)
Pegu (Bago): Mahazedi Pagoda. Temple of the golden tooth of Buddha.
![Lt. Col. Symes: Portraits. 1800. A hand coloured original antique copper engraving. 8" x 6". [SEASp1555] Lady and gentleman of the Kayn tribe in traditional dress.](https://i0.wp.com/prints.themaphouse.com/wp-content/uploads/2019/10/seasp1555w.jpg?w=440&h=347&ssl=1)
Lady and gentleman of the Kayn tribe in traditional dress.
![Yule: Amarapura. 1858. An original colour antique lithograph. 8" x 5". [SEASp1695] Amarapura. View of the Royal Monastary, later moved to Mandalay and called Shwenandaw.](https://i0.wp.com/prints.themaphouse.com/wp-content/uploads/2019/01/seasp1695w.jpg?w=472&h=347&ssl=1)
Amarapura. View of the Royal Monastary, later moved to Mandalay and called Shwenandaw.
![Lt. Moore: Shwedagon Paya, Yangon. 1825. An original colour antique aquatint. 12″ x 15″. [SEASp1451] Rangoon (Yangon). Shwedagon Pagoda, eastern face of the Gold Temple of Guadma.](https://i0.wp.com/prints.themaphouse.com/wp-content/uploads/2019/10/seasp1451w.jpg?w=447&h=639&ssl=1)
Rangoon (Yangon). Shwedagon Pagoda, eastern face of the Gold Temple of Guadma.
![O'Connor: Mandalay. 1907. An original antique chromolithograph. 5" x 6". [SEASp1581] Feet washing at an entrance to a monastery. After James Raeburn Middleton.](https://i0.wp.com/prints.themaphouse.com/wp-content/uploads/2019/10/seasp1581w.jpg?w=465&h=639&ssl=1)
Feet washing at an entrance to a monastery. After James Raeburn Middleton.
![Lt. Moore: Shwedagon Paya, Yangon. 1825. An original colour antique aquatint. 15″ x 12″. [SEASp1448] Rangoon. Great Dagon Pagoda as seen from the principal approach with the Bombay Marine in marching formation. First Anglo Burmese War.](https://i0.wp.com/prints.themaphouse.com/wp-content/uploads/2019/10/seasp1448w.jpg?w=608&h=445&ssl=1)
Rangoon. Great Dagon Pagoda as seen from the principal approach with the Bombay Marine in marching formation. First Anglo Burmese War.
![Yule: Bagan (Pagan). 1858. An original tinted antique lithograph. 8" x 5". [SEASp1746] Pagan. View of a part of Sembyokoo Temple.](https://i0.wp.com/prints.themaphouse.com/wp-content/uploads/2019/12/seasp1746w.jpg?w=304&h=216&ssl=1)
Pagan. View of a part of Sembyokoo Temple.
![Crawfurd: White Elephant (Sinbyudaw). 1830. A hand coloured original antique steel engraving. 13" x 8". [SEASp1724] The Lord White Elephant of King Tharrawaddy Min at Amarapura.](https://i0.wp.com/prints.themaphouse.com/wp-content/uploads/2019/10/seasp1724w.jpg?w=304&h=225&ssl=1)
The Lord White Elephant of King Tharrawaddy Min at Amarapura.
![Lt. Col. Symes: Kioum. 1800. A hand coloured original antique copper engraving. 8″ x 6″. [SEASp1540] Kioum. An example of a Burmese Buddhist temple and monastery.](https://i0.wp.com/prints.themaphouse.com/wp-content/uploads/2017/07/seasp1540w.jpg?w=270&h=219&ssl=1)
Kioum. An example of a Burmese Buddhist temple and monastery.
![Yule: Bagan (Pagan). 1858. An original tinted antique lithograph. 8" x 5". [SEASp1747] Pagan. North Eastern view of Gawdawpalin Temple.](https://i0.wp.com/prints.themaphouse.com/wp-content/uploads/2019/12/seasp1747w.jpg?w=270&h=191&ssl=1)
Pagan. North Eastern view of Gawdawpalin Temple.
![O'Connor: Atumashi Monastery. 1907. An original antique photolithograph. 6" x 5". [SEASp1624] Atumashi Monastery and Mahalawka Marazein (Kuthdaw Stupa) from Mandalay hill before the fire of 1890.](https://i0.wp.com/prints.themaphouse.com/wp-content/uploads/2018/08/seasp1624w.jpg?w=642&h=414&ssl=1)
Atumashi Monastery and Mahalawka Marazein (Kuthdaw Stupa) from Mandalay hill before the fire of 1890.
![Lt. Moore: Attacking the stockades, Rangoon (Yangon). 1825. An original colour antique aquatint. 15" x 12". [SEASp1439] Rangoon (Yangon). First Anglo Burmese War. British Army attacking the stockades with a company observer beneath an umbrella. First Anglo Burmese War.](https://i0.wp.com/prints.themaphouse.com/wp-content/uploads/2019/10/seasp1439w.jpg?w=467&h=352&ssl=1)
Rangoon (Yangon). First Anglo Burmese War. British Army attacking the stockades with a company observer beneath an umbrella. First Anglo Burmese War.
![O’Connor: Irrawaddy River. 1907. An original antique chromolithograph. 6″ x 5″. [SEASp1580] Waiting for the steamer on the banks of the Irrawaddy. After James Raeburn Middleton.](https://i0.wp.com/prints.themaphouse.com/wp-content/uploads/2017/07/seasp1580w.jpg?w=445&h=352&ssl=1)
Waiting for the steamer on the banks of the Irrawaddy. After James Raeburn Middleton.
![Lt. Col. Symes: Manipuri Horseman. 1800. A hand coloured original antique copper engraving. 8" x 6". [SEASp1557] Cassay (Manipuri) Horseman drawn by Singey Bey, the Bengali artist who accompanied Symes.](https://i0.wp.com/prints.themaphouse.com/wp-content/uploads/2017/07/seasp1557w.jpg?w=435&h=361&ssl=1)
Cassay (Manipuri) Horseman drawn by Singey Bey, the Bengali artist who accompanied Symes.
![Lt. Moore: Battle for principle stockade, Yangon. 1825. An original colour antique aquatint. 15" x 12". [SEASp1438] Rangoon (Yangon). The British Army battling to gain the principle stockade. First Anglo Burmese War.](https://i0.wp.com/prints.themaphouse.com/wp-content/uploads/2019/10/seasp1438w.jpg?w=477&h=361&ssl=1)
Rangoon (Yangon). The British Army battling to gain the principle stockade. First Anglo Burmese War.
![O'Conner: Mandalay. 1907. An original black & white antique photo-lithograph. 6" x 5". [SEASp1583] Mandalay. How elephants were caught.](https://i0.wp.com/prints.themaphouse.com/wp-content/uploads/2020/04/seasp1583w.jpg?w=639&h=427&ssl=1)
Mandalay. How elephants were caught.
![Lt. Moore: Yangon. 1825. An original colour antique aquatint. 15″ x 12″. [SEASp1446] Shwedagon Paya, Rangoon (Yangon). View from the upper terrace towards the South East with British soldiers felling trees in the foreground.](https://i0.wp.com/prints.themaphouse.com/wp-content/uploads/2019/10/seasp1446w.jpg?w=273&h=205&ssl=1)
Shwedagon Paya, Rangoon (Yangon). View from the upper terrace towards the South East with British soldiers felling trees in the foreground.
![Lt. Col. Symes: Amarapura. 1800. A hand coloured original antique copper engraving. 8" x 6". [SEASp1561] Ummerapoora (Amarapura). View of the Imperial court at the new capital of King Bodawpaya.](https://i0.wp.com/prints.themaphouse.com/wp-content/uploads/2018/08/seasp1561w.jpg?w=273&h=218&ssl=1)
Ummerapoora (Amarapura). View of the Imperial court at the new capital of King Bodawpaya.
![Yule: Bagan (Pagan). 1858. An original tinted antique lithograph. 8" x 5". [SEASp1745] Bagan. South Eastern view of Dhammayangyi Temple.](https://i0.wp.com/prints.themaphouse.com/wp-content/uploads/2019/12/seasp1745w.jpg?w=287&h=202&ssl=1)
Bagan. South Eastern view of Dhammayangyi Temple.
![Lt. Col. Symes: War Boat. 1800. A hand coloured original antique copper engraving. 8" x 6". [SEASp1559] Burmese War Boat. Large villages were required to provide at least one war-boat with rowers to be ready for deployment on behalf of the crown.](https://i0.wp.com/prints.themaphouse.com/wp-content/uploads/2018/08/seasp1559w.jpg?w=287&h=235&ssl=1)
Burmese War Boat. Large villages were required to provide at least one war-boat with rowers to be ready for deployment on behalf of the crown.
![Hildebrandt: Rangoon (Yangon). c1874. An original antique chromolithograph. 11" x 7". [SEASp1832] Rangoon (Yangon): Elephants pulling timber. Drawn from life during Hildebrandt's 'round-the-world' voyage.](https://i0.wp.com/prints.themaphouse.com/wp-content/uploads/2022/12/SEASp1832w.jpg?w=625&h=441&ssl=1)
Rangoon (Yangon): Elephants pulling timber. Drawn from life during Hildebrandt’s ’round-the-world’ voyage.
![Illustrated London News: Ayearwady River Valley. c1880. A hand coloured original antique wood engraving. 9" x 5". [SEASp1347] Illustrated London News: Ayearwady River Valley. c1880. A hand coloured original antique wood engraving. 9" x 5". [SEASp1347]](https://i0.wp.com/prints.themaphouse.com/wp-content/uploads/2017/11/seasp1347w.jpg?w=521&h=294&ssl=1)
![Yule: Portraits. 1858. An original tinted antique lithograph. 8" x 5". [SEASp1699] Portraits of the notables of Amarapura.](https://i0.wp.com/prints.themaphouse.com/wp-content/uploads/2019/10/seasp1699w.jpg?w=391&h=294&ssl=1)
Portraits of the notables of Amarapura.
![Lt. Moore: British Army in formation, Rangoon (Yangon). 1825. An original colour antique aquatint. 15" x 12". [SEASp1442] The British Army in formation with the earliest depiction of a Congreve Rocket, developed By Sir William Congreve in 1804. First Anglo Burmese War.](https://i0.wp.com/prints.themaphouse.com/wp-content/uploads/2019/10/seasp1442w.jpg?w=463&h=341&ssl=1)
The British Army in formation with the earliest depiction of a Congreve Rocket, developed By Sir William Congreve in 1804. First Anglo Burmese War.
![Lt. Moore: Pagoda Point, Yangon. 1825. An original colour antique aquatint. 15″ x 12″. [SEASp1437] Rangoon (Yangon). Pagoda Point. General Campbell and the Bombay Marines attacking the stockades in July. First Anglo Burmese War.](https://i0.wp.com/prints.themaphouse.com/wp-content/uploads/2019/10/seasp1437w.jpg?w=449&h=341&ssl=1)
Rangoon (Yangon). Pagoda Point. General Campbell and the Bombay Marines attacking the stockades in July. First Anglo Burmese War.
![Yule: Amarapura. 1858. An original colour antique lithograph. 8" x 5". [SEASp1698] Amarapura. View of the palace and King Mindon's rare white elephant.](https://i0.wp.com/prints.themaphouse.com/wp-content/uploads/2019/01/seasp1698w.jpg?w=605&h=460&ssl=1)
Amarapura. View of the palace and King Mindon’s rare white elephant.
![Lt. Moore: Shewdagon Paya, Yangon. 1825. An original colour antique aquatint. 15″ x 12″. [SEASp1443] Rangoon (Yangon). Shewdagon Paya. Looking North from the terrace with the artist sketching in the foreground.](https://i0.wp.com/prints.themaphouse.com/wp-content/uploads/2019/10/seasp1443w.jpg?w=307&h=230&ssl=1)
Rangoon (Yangon). Shewdagon Paya. Looking North from the terrace with the artist sketching in the foreground.
![Lt. Moore: Shwedagon Paya, Yangon. 1825. An original colour antique aquatint. 15″ x 12″. [SEASp1441] Rangoon (Yangon). Shwedagon Paya and Bell. Showing a substitute for the world’s heaviest bell, cast in 1484 and sunk in the Yangon during its theft by Portuguese mercenaries in 1608.](https://i0.wp.com/prints.themaphouse.com/wp-content/uploads/2019/10/seasp1441w.jpg?w=307&h=226&ssl=1)
Rangoon (Yangon). Shwedagon Paya and Bell. Showing a substitute for the world’s heaviest bell, cast in 1484 and sunk in the Yangon during its theft by Portuguese mercenaries in 1608.
![Lt. Moore: Eastern Road, Yangon. 1825. An original colour antique aquatint. 15″ x 12″. [SEASp1449] Rangoon (Yangon). Looking South from the Eastern Road towards the Rangoon River.](https://i0.wp.com/prints.themaphouse.com/wp-content/uploads/2019/10/seasp1449w.jpg?w=226&h=170&ssl=1)
Rangoon (Yangon). Looking South from the Eastern Road towards the Rangoon River.
![Lt. Moore: Storming the lesser stockade, Kemmindine. 1825. An original colour antique aquatint. 15" x 12". [SEASp1440] Kemmindine near Rangoon. The British Army storming the lesser stockade. First Anglo-Burmese War.](https://i0.wp.com/prints.themaphouse.com/wp-content/uploads/2019/10/seasp1440w.jpg?w=227&h=170&ssl=1)
Kemmindine near Rangoon. The British Army storming the lesser stockade. First Anglo-Burmese War.
![Illustrated London News: Mandalay. 1886. A hand coloured original antique wood engraving. 7" x 5". [SEASp1750] Illustrated London News: Mandalay. 1886. A hand coloured original antique wood engraving. 7" x 5". [SEASp1750]](https://i0.wp.com/prints.themaphouse.com/wp-content/uploads/2020/02/seasp1750w.jpg?w=219&h=170&ssl=1)
![Yule: Yenangyoung. 1858. An original tinted antique lithograph. 8" x 5". [SEASp1697] Yenangyoung on the Irrawaddy (Ayearwady). View of the Oil wells.](https://i0.wp.com/prints.themaphouse.com/wp-content/uploads/2019/10/seasp1697w.jpg?w=232&h=170&ssl=1)
Yenangyoung on the Irrawaddy (Ayearwady). View of the Oil wells.