Scenery, Costumes and Architecture, chiefly on the Western Side of India
London 1826 and 1830
Robert Melville Grindlay was born in 1786 shortly after the India Act of 1784 sought to reorganise the management of the mighty East India Company, and the years of his youth were influenced by the focus of British interests on Indian events. At the age of 17 Grindlay joined the East India Company as a military cadet, his father a London merchant having secured him a place. A year later he was promoted to Lieutenant and by 1817 had made Captain. After 16 years with the 7th Bombay Native Infantry Grindlay retired at the age of 34, and returned to England.
During his relatively short military career Grindlay’s various appointments within the regiment enabled him to travel widely in the western regions, and pursue his interests as an amateur artist. In 1826 the eminent publisher Rudolph Ackermann recognising the market for fine prints of the region undertook publication of Grindlay’s work. Grindlay produced more than half of the original sketches with a large proportion of the remainder made by William Westall, a professional watercolourist who had explored parts of the Western Ghats in 1804. Issued in six parts the work consisted of 36 aquatints, printed from plates inked in a range of colours and finished by hand. Over 25 artists, engravers and colourists were employed on the project; Ackermann published the first 12 prints whilst Smith, Elder and Co. then completed the series.
Grindlay went on to start an agency in 1828, Leslie & Grindlay, securing travel arrangements to and from India. In 1839, it became Grindlay, Christian and Mathews until its last incarnation Grindlay and Co. in 1843, which it would remain for another 100 years incorporating banking operations and eventually becoming the most distinguished bankers and agents to the civil and military officials of the British community in India. In 1847 Grindlay also established a periodical Home News (A Summary of European Intelligence for India and the Colonies) in London, which soon became essential reading for the civil and military community of British India until its last edition in 1898 some twenty years after his death.
Although an accomplished businessman and publisher, it is for his views of western India that Grindlay is best remembered. Scenery, Costumes and Architecture poignantly captures the exotic and romantic appeal of the India that was just becoming known to a wider audience in Britain, and is considered one of the most attractive colour plates books on India ever published.
Below are a few examples from this collection. Please click on an image to see it in high-resolution with details of the work itself. For the full list of original antique Grindlay aquatints available, please do contact us.
![Grindlay: Saurashta. 1826. An original colour antique aquatint. 13" x 9". [INDp1180] Saurashtra: Kathiawar. Camel escort and caravan of pilgrims with a temple in the distance.](https://i0.wp.com/prints.themaphouse.com/wp-content/uploads/2019/09/indp1180w.jpg?w=597&h=499&ssl=1)
![Grindlay: Gharapuri. 1830 An original colour antique aquatint. 13" x 9". [INDp1223] Elephanta Island (Gharapuri) in Mumbai Harbour: View of the open portico entrance to the Great Cave dedicated to the Lord Shiva. After William Westall RA.](https://i0.wp.com/prints.themaphouse.com/wp-content/uploads/2019/09/indp1223w.jpg?w=315&h=250&ssl=1)
![Grindlay: Mumbai (Bombay). 1830. An original colour antique aquatint. 13" x 9". [INDp1575] Bombay Harbour: View in the northern harbour between the mainland and the island of Salsette. After Lt Col John Johnson.](https://i0.wp.com/prints.themaphouse.com/wp-content/uploads/2020/02/indp1575w.jpg?w=315&h=245&ssl=1)
![Grindlay: Telangana. 1830. An original colour antique aquatint. 13" x 9". [INDp1571] Telangana: Golconda. Panoramic view of the Qutb Shahi Tombs with the tomb of Muhammad Quli Qutb Shah at the centre.](https://i0.wp.com/prints.themaphouse.com/wp-content/uploads/2020/02/indp1571.jpg?w=307&h=251&ssl=1)
![Grindlay: Mumbai (Bombay). 1830. An original colour antique aquatint. 13" x 9". []INDp1591] Bombay: Approach of the Monsoon. View of Mumbai and its harbour from Malabar Hill. After William Westall.](https://i0.wp.com/prints.themaphouse.com/wp-content/uploads/2020/04/indp1591w.jpg?w=307&h=242&ssl=1)
![Grindlay: Ragasthan. 1830 An original colour antique aquatint. 13" x 9". [INDp1480] Raputana (Ragasthan): View on Banas River near Tonk. After the 'on the spot' drawing of Capt. Charles Auber.](https://i0.wp.com/prints.themaphouse.com/wp-content/uploads/2019/09/indp1480w.jpg?w=605&h=497&ssl=1)
![Grindlay: Gujaret. 1826. An original colour antique aquatint. 13" x 9". [INDp1482] Gujaret: Ahmedabad. The mosque of Sidi Bashir and the Shaking Minarets (Jhutta Minar).](https://i0.wp.com/prints.themaphouse.com/wp-content/uploads/2019/09/indp1482w.jpg?w=458&h=389&ssl=1)
![Grindlay: Ragasthan. 1830 An original colour antique aquatint. 13" x 9". [INDp1479] Raputana (Ragasthan): Tonk. View of the city and fort on the Banas River. After the on the spot drawing of Capt. Charles Auber.](https://i0.wp.com/prints.themaphouse.com/wp-content/uploads/2019/09/indp1479w.jpg?w=454&h=389&ssl=1)
![Grindlay: Maharashtra. 1830. An original colour antique aquatint. 13" x 9". [INDp1570] Maharashtra: Ellora. View of the entrance to the Kailasha Temple, largest of the Hindu, Jain and Buddhist temples at the Ellora Caves.](https://i0.wp.com/prints.themaphouse.com/wp-content/uploads/2020/02/indp1570w.jpg?w=447&h=363&ssl=1)
![Grindlay: Mumbai (Bombay). 1830. An original colour antique aquatint. 13" x 9". [INDp1382] Fort George: North West view of the fort built by the East India company around the Castle of Bombay (Casa da Orta). After William Westall RA.](https://i0.wp.com/prints.themaphouse.com/wp-content/uploads/2019/09/indp1382w.jpg?w=465&h=363&ssl=1)
![Grindlay: Gujaret. 1830. An original colour antique aquatint. 13" x 9". [INDp1569] Gujaret: Mount Abu. View of the mountains and source of the Saraswati river. After Sir Charles Chambers.](https://i0.wp.com/prints.themaphouse.com/wp-content/uploads/2020/02/indp1569w.jpg?w=616&h=494&ssl=1)
![Grindlay: Sri Lanka (Ceylon). 1830. An original colour antique aquatint. 13" x 9". [INDp1572] Dambulla (Karangalle). View of the entrance to the Golden Temple of Dambulla. After Capt Charles Auber.](https://i0.wp.com/prints.themaphouse.com/wp-content/uploads/2020/02/indp1572w.jpg?w=296&h=247&ssl=1)
![Grindlay: Saswad, Pune.. 1830. An original colour antique aquatint. 13" x 9". [INDp1575]INDp1577w Pune: View of Saswad (Sassoor). Looking towards the Sardar Purandare Wada from the Sangameshwar temple at the confluence of the Chamli and Karha rivers. With a ruth drawn by oxen and attended by Marhatta horsmen for a lady of rank.](https://i0.wp.com/prints.themaphouse.com/wp-content/uploads/2020/04/indp1577w.jpg?w=296&h=243&ssl=1)